First time soldering

Well, I wrote and published this post and it turned up empty.

Rob prepped a motors workshop for Geremy and me, and we began with a DC schematic and sketch using the L293D driver chip. The driver chip allows us to run the motor off a separate power source, and, importantly, to run a DC motor in both directions. I got to use my new soldering station for the first time to connect wires to the motor contacts, and when we first loaded the sketch, the motor would only turn CCW. After some trouble shooting we deduced it must be a faultly chip: so I’ll go get another and try again, before moving on to the stepper schematic and sketch that Rob also prepared.

Monday studio days are great, and Geremy and I are making progress with the astro apps in sketching out and visualizing the ecliptic and planet. But working in the late evenings is pushing us all. Sort of like observing after waking up at 8am.

12_Arduino_motor_solder

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Hired Geremy Lague!

Lucky me, I have found some internal funding to employ Geremy Lague as a Research Assistant for this and next semester (and if I get the sshrc, more!). Geremy did his undergraduate work at the UofR in the Film Department, and is currently doing an Interdisciplinary Fine Arts degree working in film and print media. In short, his project involves the building of pre-cinematic devices as he inquires in to the social practices around visual communication.

We have been playing with the Arduino together (today, he helped to confirm that I did not zap my Uno when making the zooetrope), and I am happy that Rob will run us through some motors workshops in the next week or so, to bring us up to speed. At the moment, Geremy and I are looking in to various ways to visualize the ecliptic and zodiacal constellations, using mercator projection. Neither Sky Safari nor Starry Night provide mercator projections, but Stellarium does, so at the moment Geremy is screen grabbing Saturn centred within the mercator at midnight on the date of opposition for 2011-2040. It is so nice to have a graduate student to work with!!

That’s my update.

http://www.nakedeyeplanets.com/constellations-&-ecliptic-labelled.pnghttp://www.nakedeyeplanets.com/

Eric B. posted this one:

http://www.company7.com/questar/graphics/3.5_50th_chart700497.jpg

http://www.company7.com/questar/graphics/3.5_50th_chart700497.jpg

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nice animated simulations

nice animated simulations

nice animated simulations

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Ecliptic (Zodiac) Simulator

Ecliptic (Zodiac) Simulator

Ecliptic (Zodiac) Simulator

Working with Geremy Lague, my Research Assistant, on visualizing the cosmos.

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time piece

time piece

Rob shares this metadata find (noting the comments, engaging as always), very good.

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Imaging Saturn with MKG127 Gallery at Art Toronto

I was very happy to get some imagery of Saturn from my 2013 fieldwork at the Carr Astronomical Observatory ready for inclusion at the MKG127 Gallery booth at the toronto international art fair this year (often I find myself insanely busy and miss it, which, you know, isn’t very smart if I care about my relationship with my dealer, which I do…)

some Saturn in the mix at Michael Klein's booth at Art Toronto this year. Image courtesy MKG127 Gallery.

some Saturn in the mix at Michael Klein’s booth at Art Toronto this year. Image courtesy MKG127 Gallery.

I produced a work in five parts, each 60×6″, chromogenic photographs mounted on di-bond. From 29 seconds of video (841 frames) I selected the sharpest 134 having used Photoshop to create the image stream. I then used Photoshop to stack them in four batches, making one final batch from those four to create the final stack. This was the first time I attempted to stack using Photoshop’s tools (last year I used Keith’s Image Stacker), and it’s not too bad, frankly. Only once I finally get a PC and can try out the wider range of software available will I be able to really compare the differences.

The five long pieces depict all of the 134 frames sequentially: quite lovely to see how the colour and quality of each individual frame changes, and how poor the quality of any given individual frame is by comparison with the stack.

The statement I sent along to Michael: Because the atmosphere causes noise in photographing astronomical objects, video is captured to allow for the selection of the cleanest frames, which are then stacked atop one another to create a sharper final image. 29 seconds of video were shot for this piece using a dSLR attached to my 8″ reflector telescope. This work, in five pieces, shows each of the cleanest frames and the resulting image stack. I used Photoshop to create an image sequence of the 841 video frames; visually assessed each and selected the cleanest frames; and layered frames in stages to produce the finished image stack.

Here is a low res version huge tiled file I sent to Toronto Image Works. Click to see it larger.

Imaging Saturn 2013 2013-06-14T22:14:39-22:15:08-04

Imaging Saturn 2013
2013-06-14T22:14:39-22:15:08-04

And oh yes, I prepared and submitted a threesome of images I captured of M31 and M32 (Andromeda and companion) this summer, for this years Gallery TPW Photorama.

Andromeda I, II, III 2013

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Imaging Saturn (modelling views) Process – Part II

I’ve thought a bit more about my model and I think that instead of a conveyor belt, a hollow cylinder the inside of which depicts zodiac/ecliptic and which can be spun on the X axis using a single motor (DC or continuous rotation servo, I don’t know) will be so much better. This way, the motor does not have to be bi-directional either.

The model Saturn and the camera will be housed inside the cylinder. The shape of the cylinder and the width of an annual depiction can be controlled to calculate motor speed(s). I can’t believe how simple this seems. Rob?

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Imaging Saturn (modelling views) Process – Part I

This fall is an important time for me to develop knowledge and skills towards creating the kinetic Saturn sculpture(s) I have been conceiving over the past many months. The project is supported by a Grant to New Media and Audio Artists from the Canada Council for the Arts, and I will be spending some time in Winnipeg doing an artist residency at Video Pool in summer, 2014, to further develop the work. The first exhibition is planned through Video Pool, perhaps at Platform, in late summer 2015, and while two full years seems a great deal of time to make a new body of work, I have such a huge amount to learn to be able to pull it off. Unusually, I am using a public blog to share my progress (often, artists don’t share process/progress in progress, for all sorts of reasons).

I am contracting Rob Cruickshank as a consultant and hacker and coder and amateur astronomer, and also have John Campbell to turn to here in Regina. This semester I’ve decided to sit in on David Gerhard’s 2nd year Computer Science Course Building Interactive Gadgets, which is a good introduction to both electronics, and Arduino (the starter kit for the UNO comprises the lab schedule). David’s course requires students create a working interactive electronic something, and so I am using the course as a structured way to work through my first concept for a prototype for the kinetic sculpture.

What is the idea for the piece? My initial concept for the piece arose when imagining a way to use stop-motion photography and a model of Saturn to create an animation to reveal its various appearances throughout its 29~-year orbital period. It became clear that I was imagining a kinetic sculpture that itself is an art object to be presented as part of an installation alongside the images and animations captured.

I imagined that I would create one large sculpture, but in my conversations with Rob so far I realize that a single object may not be able to depict the range of variables that reality presents: I need to explore a variety of ways to represent the relative and apparent motions of Saturn and Earth considering both time frame (Years, Months, Days, Minutes), and engineering the movement of the camera (Earth), the model of Saturn, and perhaps cosmological cosmos context: a background of space. The key concept here is simulation: my goal is not to create a straightforward orrery or Saturnilabe (clockwork models of the solar or planetary system), but a device(s) that both physically demonstrates planetary motion and is used to capture images to present video of those simulated motions from an artistic rather than scientific or engineering perspective. I have no idea at the moment how to accomplish any of this, but I have starting points.

I have begun the research by purchasing the Arduino UNO starter kit to develop some basic knowledge of making things move and C-based programming; I am enjoying the Monday night Arduino Crafting Group which Rebecca Caines started in 2011 as an awesome group studio experience (in fact, the germ of this idea arose during one of our many discussions one Monday night, perhaps as early as fall 2011); and I am using David’s course to develop my first prototyped object. I am to write a proposal for the project that describes the device; cites one inspirational source for the build; outlines 5 milestones or iterations (the 3rd of which, for the purpose of the class, is to be the real goal), and includes images, circuit diagrams, and code listings. I am to justify the difficulty level against my current knowledge. The structure provided by David’s course is really helpful, given that the difficulty level to current knowledge ratio is 9:1.

Prototype I

The first prototype that I will build is the most simple of solutions and eliminates, I think, many of the engineering/mathematical/code issues that scare the hell out of me in other options (which include a camera as earth that rotates axially while tracking a solar orbit, and a Saturn that rotates axially while tracking a solar orbit, accurately relative to the sun, each other, and space. I keep reminding myself: I am not making a saturnilabe or orrery, I am not trying to make a scientifically accurate instrument). This prototype is a good way for me to get started.

A fixed camera (perhaps a GoPro, of which I own two) points at a small model of Saturn behind which is a sort of upright conveyor belt upon which the ecliptic and zodiacal constellations are depicted. The conveyor belt imagery will need to be set to depict a period of time (how long, logically, I have yet to work out), provide the context of apparent motion as seen from earth which the camera can capture and present on a monitor or through projection. The model Saturn can be static (iteration 1) set to spin on an axis (iteration 2) and on a gimbal (iteration 3), to depict its daily and annual orbital motions.

Rob asks: will this be like a snapshot, or move continuously, like an orrery? I think iteration 1 needs to be a snapshot of a period of time. It can be saturn’s entire 29.42 year orbit, and in this case, the backdrop of constellations would move to depict Saturn’s motion through the entire zodiac over the course of its orbit (ignoring daylight on earth), and the model planet can scrap daily spin in favour of using a gimbal (or something) to depict the changing appearance of the rings. It could also be the course of a selected night of opposition (or series thereof), from sundown to sunup, and in this case the backdrop would need to painted and move in such a way as to depict Saturn moving with each positional constellation from planet-rise to planet-set.

Rob asks: Background of stars, moving or fixed? Moving.

Rob asks: from POV of earth, stars will rotate like a wheel? Actually, a wheel might be quite a beautiful construction (in the way it could reference gears or a clockwork). I need to think about what periods of time could be depicted on the outside of a wheel, literally, or contained within a moving scroll.

Rob asks: Mercator? I love the Mercator drawings of the Jovian moons, but I have no idea how to make one!!! But I do see the ecliptic not in a straight line, but in a wave like THIS (is this a mercator?). If so, how much of the sky is shown? I suppose enough of the sky to show the full zodiac constellations around the ecliptic. The camera will be close cropped enough to not reveal the structure in the captured video/images, though the structure will be plainly visible. Rob asks: Is the background a rectangle (unrolled cylinder) circle, or hollow sphere (!). HOLLOW SPHERE!!!????? Wow. I gotta think about that. How would motion for this prototype be depicted if a hollow sphere? Maybe a hollow sphere will better suit a full rotating orrery style object (the earth and saturn and sun (?) contained and moving within a partially open hollow sphere???) Rob you are fucking awesome.

Rob asks: Earth POV? From hypothetical centre of Earth? A point on Earth’s surface? From sun? Other bodies? If from Earth’s surface, what about darkness or light? I have been thinking from the standpoint of a point on earth’s surface, and have imagined the conveyor belt to fade from daylight (with low contrast cosmos) to nighttime (with high contrast cosmos) if the period of time chosen includes days and nights (say, one earth year).

So: What I need to do in pretty short order is consider all these possibilities and sort out 5 benchmarks, from the most simple iteration as a starting point, logically followed through more complex possibilities.

Now….

For record-keeping, Rob has also sent some details about motor possibilities and I have some conception of the difference between a DC motor and stepper motors. He suggests the following, which I need to read up on: a motor shield for the Arduino (http://www.adafruit.com/products/1438) this stepper motor (http://www.adafruit.com/products/324) and this geared motor as a possibility (http://www.allelectronics.com/make-a-store/item/DCM-318/12-VDC-58-RPM-MINI-MOTOR/1.html)

Other sundry notes, questions, and ideas, that I have taken over the past few weeks:

– Where do I learn about what sorts of motors exist for my conveyor belt? Rob is helping with this. Do I find, or build, a belt?

– How do I most easily calculate durations and speeds (to account for the eliptical orbit of the planet – parogee and apogee: the motors will not be moving at a constant speed, so how do I calculate speed?)?

– maybe I need to print on canvas: it is sturdy, can take being rolled up – but how can I print on one very long piece (depending on duration and re-iteration)? Or, do I draw/paint on it (sheesh! Hire a student…)

– maybe I am building a reverse projector: instead of light shining through film and magnifying the throw, I am capturing bounced light with a camera and projecting it. Work that out.

– from different latitudes?? Ugh. I should split the difference between Toronto/CAO and Grasslands/Regina.

– using a sky tracker to take all-night long images of saturn at opposition, using that video as source for the backdrop of sky (can only be useful one year at a time)

– how could a user speed up or slow down the motion of the backdrop, and the computer know where it has left off and pick back up again in sequence

– ridiculously cheesy, but embedding flat lilipad LEDs into the backdrop? ugh.

That’s it for now. I am trying to not feel too overwhelmed…..

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Grasslands National Park (East Block), labour day long weekend, 2013

Despite being about half a dozen posts behind from my summer in Ontario, I just got back from two nights in Grasslands and am eager to post! I sent word to the list and invited a new colleague, so Mike Flaherty (who, awesomely, photographs comets and other wonders) arrived on hot Friday afternoon to be welcomed by Chris Beckett. Soon, Shane Ludtke and Mike O’Brien, with his family – Veronica and Oona – joined.

me and my big scope

me and my big scope

I managed to visually observe Saturn all rainbowy and shimmery before it set. This may well be my last chance to image saturn for some time (in early January it rises at 5am; 1am by mid-March). I then poked around some Messier objects I remember Blake and Sharmin and Danger Dave and others showing me at the CAO. I took some better shots of these with my dslr, and with some minor processing in Photoshop am happy with them (though they are not Saturn!):

M-13_Hercules_Cluster_waysaturated. 60s at prime, iso1600

M-13_Hercules_Cluster_waysaturated. 60s at prime, iso1600

45s, at prime, ISO 1600

Dumbbell, 45s, at prime, ISO 1600

M31 Andromeda and M110. 30s, at prime, iso1600

M31 Andromeda and M110. 30s, at prime, iso1600

We had a few hours of fair observing, and Mike some imaging, before I packed my scope in and headed up the hill to join the rest of the group with my binos (thanks for the vodka, Mike!). The Pleiades are up and so pretty! And, I managed to happen upon the coat hanger and recognize it with my binos (thanks Sharmin!). So many stars. And the Milky Way looked very nice, but I didn’t manage any images of it.

It got a bit cloudy and I got mostly tired and went to bed around 1:00 maybe. Of course, I had to leave the tent around 2:30 am and as I walked to the loo I noticed the wee crescent moon just hanging above the hills on the horizon – really lovely. When I turned to look behind me (I dunno…coyotes?), there was a huge arc of aurora. I grabbed my camera but left behind the tripod, not wanting to wake everyone with my racket. These two are 15 and 20 second exposures in my lap or leaning on a fence post. A nice treat, I felt I could perceive the globe and the north polar region really concretely looking at these.

aurora_02_DSC3485 aurora_03_DSC3488

Saturday was super windy and cloudy all day long, and we ended up chilling out for several hours in the summer kitchen at the camp grounds. Happily, both Shane and Mike let me beat them at Scrabble, and everyone hammed it up to pose for a picture in my new series of Saturn travel images (Vincent arrived). SkyView superimposes a star map atop the iPhone camera live view, and I’ve been collecting daytime Saturns along my travels….

Saturn in the summer kitchen with company and Venus...

Saturn in the summer kitchen with company and Venus…

I made two observing plans for Saturday night, after Saturn, if the weather cleared, starting with a tour of Scorpius and Ophiuchus before the southern sky set early in the night, and moving on to Cygnus.

On Friday i ‘hibernated’ the CGEM hopeful that it would wake up still aligned on Saturday late afternoon so that I could see and photograph Saturn when it was daylight or dusk, and higher in the sky. The clouds did not cooperate until after sunset, and the wake up did *not work! It was pointing way high. I’m not sure why (I followed the instructions), if anyone has any ideas please comment below. Then, when I began my 2-star alignment routine I realized that my tarp had nudged my finder scope out of alignment. Sorting through this I managed just a couple of minutes of dslr video which, along with the 30+GB of other Saturn imaging I collected this summer, I may manage to look at and process this winter.

The sky did manage to clear for at least a couple of hours and I did my mini-messier tour of Scorpius – I planned it out, I plotted a go-to itinerary, I took notes and made a few sketches: in other words, I had my first proper self-directed observing session. And it was great fun! Using my 40mm and my eyes:

M4 (I could make out a higher density band, which Sky Safari confirmed was real); M80; M62; M14 (by accident, I meant M19 but misread – this was more yellow than the others, and all of these so far were wee blueish globs); M19 (more stars than M14); M107 (small and yellow); M9 (blue, lots of stars in field, within the milky way); Tom Thumb (notes read “very not distinct, lots of stars, some bunched up, some bright stars far afield”); M6 (notes read “woohoo! open cluster, almost like a heart, must be the Butterfly!” and I saw a nice satellite flyby); M7 (very wide, not dense); M69 (v. small, fuzzy), M70 (wee and blue, I saw two groupings of four stars in a row, now looking at Sky Safari…can’t make them out on the star map); M54 (v. tiny and blue?); M55 (big and blue, can make out pinpoints of stars with averted vision); M22 (big c;uster, bright, more galaxy stars in field); Pluto (couldn’t figure out which one it was).

Awesome whirlwind tour. By that time it was WET out, super dewy. I tarped up, walked my battery and tool box to the car (fell in an animal hole on the way, I’m aching), and went back up the hill for more bino views before whisky with Shane and a hot water bottle double sleeping bag 8-hour tent sleep.

The fellas are up there now enjoying a pretty awesome sky. Everyone should spend time in Grasslands, it is a fabulous Dark Sky Preserve, and the landscape is really grand. We might go back for Thanksgiving: Brenda needs people to feed a turkey to.

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The Canada Council for the Arts is Wonderful

I learned this week that my application for a Grant to New Media and Audio Artists has been successful – really big deal, and nice chunk of money for me to research, experiment with, and produce some kinetic sculptures/animation/video for exhibition in a couple of year’s time (provisionally titled Imaging Saturn (modelling views). Thank you Canada Council!

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